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Open Bite is an open access print workshop run within
the Printmaking Studio in The school of Communication and Contemporary Arts, Edith Cowan University.
The workshop has been established to offer access and instruction at various
levels to artists and members of the community wishing to engage in printmaking.
The studio is equipped with excellent facilities and technical
resources and is supported by a regular Artist in Residence / Guest Lecture
program. Open Bite provides a professional working environment that enables
not only the more traditional approaches of print production to be investigated
but also the opportunity for those artists seeking to work more experimentally,
challenging the accepted notions of printmaking through an involvement
in large scale, multi media or electronic imaging. The overall philosophy
within the studio sees printmaking as a major means of artistic expression
without stylistic constraints toward content or medium, and therefore
encourages artists to expose the full potential of printmaking as a creative
process.
The studio also operates a professional print publishing program
for artists. Open Bite has worked in collaboration with Desert
Designs WA and Indiginart to offer access and publishing facilities for the production
of limited edition prints by a number of indigenous arts communities across
central and western Australia. A recently published article
expands on one of these projects.
The workshop offers access:
To trained printmakers artists wishing to use the facilities
for editioning, production of artwork and publishing.
To graduates of the School requiring facilities to continue
their practice
To beginners requiring tuition and support through short courses
and workshops
To schools and local community groups seeking professional
facilities
For specific projects in conjunction with Artist in
Residence Workshop programs
Facilities
include well equiped workshops for the following
processes
Etching / Collagraph / Drypoint tFive intaglio
presses for printing steel, zinc, copper and plastic plates, ventilated
acid room and inking area plus paper and metal guillotines and extracted
washroom for solvents
Relief / Mono Printing: Albion direct platen
press for the printing of lino, wood and plastic plates
Screen Printing: The latest technology
in water based printing on paper is being utilised in a chemical free
environment. Accurate editioning can be achieved using direct and indirect
stencils produced from hand drawn or photographic artwork on synthetic
meshes
Papermaking: Facilities are available for
the production of hand made papers for use in the print studio
Terms and Conditionsare
negotiable with the studio co-ordinator and dependent on the the requirements
of the artist/project.
It is intended that the workshop runs during specific
timetabled periods to take advantage of technical support and allow artists
access to a range of activities within the school. In this case artists
would need to be skilled in printmaking allowing them to work independently
within the limitations of the facility.
Fees for artists projects would be charged at an hourly rate for basic room
access assuming no academic input is needed. Instructional workshops would
be held at different points on the calendar depending on demand.
Basic materials such as solvents, rags, grounds etc will be supplied at
a cost of $60.00 per semester, negotiable depending on the nature of the project and usage. All other
Other materials such as paper, plates, inks and emulsions to be supplied by the
artist.
Fees not including materials
One 4 hour session / week @ 12 weeks$400.00/semester
One 8 hour session / week @ 12 weeks $650.00 / semester
Hourly rate for projects or editioning $18 / hour
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